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He kidnaps a young couple in the prime of their life ...

The sequence with the baby is unbearable and hard to see; the scene with Milo's family is too violent and disturbing but absolutely predictable. Certainly a sensitive person will be sick and will not like or even see this movie.The family is facing financial difficulties, but out of the blue, Milos is contacted by the porn actress Lejla that offers him a job opportunity in an art film.Milos is introduced to the director Vukmir that offers a millionaire contract to Milos to act in a film.An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.among lovers who are geographically separated, or among individuals who have no prior knowledge of one another and meet in virtual spaces or cyberspaces and may even remain anonymous to one another.

In some contexts cybersex is enhanced by the use of a webcam to transmit real-time video of the partners.

But sooner he finds that Vukmir and his crew are involved in sick snuff films of pedophilia, necrophilia and torture and there is no way back to him and maybe it is too late to protect his family.

In Serbia, the retired porn star Milos (Srdjan Todorovic) is married with his beloved wife Marija (Jelena Gavrilovic) and they have a little son, Peter, that is their pride and joy.

First of all, I am against any censorship: a film shall be accordingly rated, with warning advising the theme since only very specific audiences might like it.

My wife, for example, is a very sensitive person and would never support watching "A Serbian Film".

The poster in the movie-theaters and the boxes of the DVD or Blu-Ray should warn that this story is recommended to a very specific audience; but censorship, never, since it is the best marketing that a polemic film can have.